The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes.
Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means. Commercial use is allowed, as long as the artist's work is properly attributed, the representation does not consist in a reproduction. The existing jurisprudence consistently allows commercial use of artworks under FoP, as long as the artwork is accessory, and not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist. Violation of those rights is frequently punished by Brazilian courts with pecuniary indemnisations to the offended party.
Moi, en tant que détenteur des droits d’auteur sur cette œuvre, je la publie sous les licences suivantes :
Ki mirikowin kata icinakotain nohwe towi,kekotc kata matanowewin,kekotc kata mameckotcisinahaman e itemakak e icinakok e pakitinikatekGNU Free Documentation License nohwe masinahikan1.2 kekotc ma nohwe ke pe aictakaniwok kecko masinihikan Free Software Foundation, aka e takok e nesitcictek e anoskwictakaniwok tipatcitcimowisinihikan ,aka e takok nictam paskickwemakan atisokan acit aka e takok mamitcit paskickemakan atisokan. E icinakositc e karokitasonaniwok nta ici ntowapatcikatew GNU Free Documentation License.http://www.gnu.org/copyleft/fdl.htmlGFDLGNU Free Documentation Licensetruetrue
nanto tota – nanto meckotina matci ohwe otamirowin
Ke nanakatcitain naheritamowin:
ka ki wectatc – Patoc mia ki ka itasinahwaw ka itasinahotisotc nohwe ka ki ocitat ohweriw kekotc ma nohwe ka miwotatc masinihikaniw matci kata pakitanak ( nama nohwe ki ka apitcitan naheritamowin kekotc ma e ici wawitamaskw ke totaman.)
Matonowesinaha – Kecpin e meckotcitaiin kekocic wiec e ki ici keskinawapataman ka ki itasinatekipan patam ki ka masinahen ite ka ki otcipataman kekotc ka ki otciparik kitci pakitinikatek kitci actakaniwok.
== Description == {{Information |Description=Cristo Redentor do Rio de Janeiro |Source=travail personnel |Date= |Author= Jcsalmon }} == Licensing == {{self|GFDL|cc-by-sa-3.0,2.5,2.0,1.0}} ---- ;Renamed version of ''Image:4.jpg'' *Revis
Ke irapatak masinahikaniwoc
minawatc ka apatak paskickwemakan nohwe mawtockwemakan :
Nohwe mawtockwemikan ekota acteki awacimec tipatcimowina,nohwe masinapiskipitcikan ka ki actakwen kekotc otitapiskipitcikan ka ki ocitarikwen. Kecpin ka meckotisinihikatekwen nictam ka icinakok, nama kaskina kata nokona ka wi icinakotakaniwok nohwe masinasowin.
Fabricant de l’appareil photo
Canon
Modèle de l’appareil photo
Canon PowerShot A620
Durée d’exposition
1/800 s (0,00125 s)
Ouverture focale
f / 4
Date et heure de génération des données
17 Otatakon pisimw 2007 à 12:15
Longueur focale de la lentille
21,709 mm
Orientation
Normale
Résolution horizontale
180 pt/po
Résolution verticale
180 pt/po
Logiciel utilisé
GIMP 2.6.5
Date de modification du fichier
21 Wapikon pisimw 2009 à 10:32
Positionnement YCbCr
Centré
Version d’EXIF
2.2
Date et heure de la numérisation
17 Otatakon pisimw 2007 à 12:15
Mode de compression de l’image
5
Vitesse d’obturation APEX
9,65625
Ouverture APEX
4
Biais de compensation d’exposition APEX
0
Ouverture maximale interne de la lentille
3,625 APEX (f / 3,51)
Mode de mesure
Motif géométrique
Flash
Flash non déclenché, mode automatique, mode anti-yeux rouges